“The rise of the tweet takes place amid an internet-induced cheapening of language, in both good and bad senses.
The economic cheapness of digital publication denounces expression and gives a necessary public to writers, and types of writing, that otherwise would be confined to the hard drive or the desk drawer. And yet the supreme ease of putting words online has opened up vast new space for carelessness, confusion, whateverism. Outside of Twitter, a coercive blogginess, a paradoxically de rigueur relaxation, menaces a whole generation’s prose (no, yeah, ours too). You won’t sound contemporary and for real unless it sounds like you’re writing off the top of your head.”