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Archive for the ‘Social Justice’ Category

hipster2Hooray, there’s another article out about how Millennials are kinda poor and kinda don’t know what to do about it (besides, of course, making use of the “sharing economy”). I miss the “Hustlin” column in the late Good magazine, which highlighted ways that Millennials are pushing back against the trappings of the recession. At least that journalistic approach left room for Millennials to eventually come out on top–we will have 401Ks, goddammit! We will eventually marry and have kids! We might own a home someday if we ever settle down and get good jobs, which might happen if this Kickstarter campaign takes off . . .

But the more I read about “Millennialism,” the more I think that the media has brainwashed itself with this term. Is it just me, or does the notion of a “Millennial” culture implicitly exclude all but white, middle-class people?

Look at the rhetoric used in this recent Times Magazine story about how Millennials are suffering from permanent downward mobility (which is not news, so I have no idea why this article was even published–it uses old research by Neil Howe from 1991)Quoting Howe’s book directly, the journalist writes: “[Millennials] look at the house their parents live in and say, ‘I could work for 100 years and I couldn’t afford this place.’” That’s true if you grew up in the affluent suburbs. If you hail from a housing project in the Bronx, not so much. (more…)

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Illustration by Sophie Butcher for narrative.ly

Illustration by Sophie Butcher for narrative.ly

Some leisurely reading for your week off: a story about the time I chased an Upper East Side socialite for the sake of journalism. I wrote this for narrative.ly, a cool new site producing unique stories about New York City (say it three times: unique New York…)

Happy holidays and thanks for reading!

“Suddenly it occurred to me that someone would need to pay for this meal. Someone…meaning me? The freelance writer with $42,000 in student loan debt, wearing socks with holes in them? The writer who barely ever took herself out to lunch, much less some wealthy lady who probably did coke off Andy Warhol’s forearm when she should have been going to college? I panicked at the idea of having to pick up a $300 lunch bill and wrote to Cornelia’s publicist to ‘clarify’ the terms of the meeting. Alas, we would not be ladies who lunch. Instead, we would be ladies having black coffee and green tea, at—per Cornelia’s suggestion—the lowbrow Three Guys Diner on Madison.”

 

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It is pretty remarkable to see an essay like this one in an academic journal, even one as broad and literary as Public Culture.

An excerpt from this essay, “Why I Occupy” by Nicholas Mirzoeff, one of the professors most involved in the Occupy Student Debt coalition in New York:

(Read more about Occupy Student Debt in my 2011 article for The Nation.)

“I live in New York City, where I teach at New York University, and since October 2011 the centerpiece of my intellectual and political life has been Occupy Wall Street. I don’t claim to have been there since ‘the beginning,’ whenever that was, or to be a leader, whatever that means, or still less, to speak for the movement. For better or worse, this has nonetheless been a signature moment in my personal, professional, and political life. It’s only been five months since the first people started to occupy in New York. It has been a year since the Tunisian revolution suddenly changed the sense of the possible and then Egypt made it go viral. The moment seems ancient and modern at once. Vladimir Lenin famously danced in the snow when the Bolshevik Revolution had lasted longer than the Paris Commune. If the encampment at Liberty Plaza did not quite outlast the Commune, Occupy continues, and there’s dancing most days for those so inclined. (more…)

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Want to give $25 to help abolish $500 of someone else’s debt?

On Nov. 15th, at Le Poisson Rouge, come to The People’s Bailout:

a variety show and telethon to benefit the 99% featuring: Janeane Garofalo, Lizz Winstead, Max Silvestri, Hari Kondabolu, David Rees, The Yes Men, John Cameron Mitchell, Jeff Mangum of Neutral Milk Hotel, Lee Ranaldo of Sonic Youth, Guy Picciotto of Fugazi, Tunde Adebimpe of TV on the Radio, Climbing Poetree, the Invisible Army of Defaulters, members of Healthcare for the 99%, Occupy Faith & many more

Tickets here.

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I received a pleasant surprise today when I opened my “Google Alert” (which lets me know when my name appears somewhere online): I learned that author and Harper’s editor Jeff Sharlet includes my essay, “Mic Checked,” on a syllabus for a writing course he teaches at Dartmouth. I’m there alongside Joan Didion’s Slouching Toward Bethlehem and James Baldwin’s “Down at the Cross.” OMG!

Sharlet told Neiman Lab’s Story Board:

“I thought this was the best piece I read on the experience of the Occupy movement. I like it because it’s more or less topical, by a writer breaking radically from her usual style, and because it’s in the second person. I normally forbid the second person for the duration of the term, but I start with this piece to remind students to break my rules when they need to.”

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This summer, I decided to experiment with online publishing. I curated a selection of my interviews, essays, and articles on social entrepreneurship and social change that were originally written for Dowser.org, added an introductory essay (with help from a very astute editor), and made the thing into an e-book. Instead of going with the big mean publisher Amazon, I opted for a smaller company called Smashwords. They were a little slow in helping me with some of the problems I encountered with their production tools, but otherwise the process has been fairly straightforward.

Check out and buy the book here. Below is a description of what the book offers to readers. It’s on sale for $3.99–a veritable steal. And if you care to leave a review, I’ll appreciate that. (Or, I could just hire someone to do it…but I won’t.)

Book description: The media seems to be always stuck reporting on what’s wrong in the world–-an endless parade of economic, political, and cultural crises endangering the progress of history. If these problems are bigger than what the U.S. government, or the United Nations, or even the free market can handle, what hope is there of a solution?  (more…)

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One of the best reports that I’ve seen on the Pussy Riot verdict–a felony conviction with a two-year prison sentence–comes from Human Rights Watch. Some pretty surprising things here:

“Shockingly, the judge found ‘nothing political’ about Pussy Riot’s action. Politics was, after all, the core of the women’s message.

Instead, the judge argued that feminism, ultimately, was at the core of the ‘religious hatred’ charge. (more…)

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What a crazy, post-colonial world we live in.

From the NY Times:

“The decision adds to sharp strains between Ecuador and Britain. Just before the announcement of asylum in the Ecuadorean capital, Quito, President Rafael Correa said on his Twitter account: ‘No one is going to terrorize us!’ The night before, Foreign Minister Ricardo Patiño said that the British authorities had threatened to force their way into the embassy, to which he responded: ‘We are not a British colony.’”

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Thought Catalog, an online magazine that I love for their simple, clean aesthetic and provocative content, has published my essay on living in Bed-Stuy and working there as a journalist for Patch.com.

“Someone once told me that New York City itself is a temporary condition: it dons and sheds costumes like a stage performer, shifting its shape as it fills with the various cacophonies of groups coming in to make the city their home, for a short time or forever. Many come to pursue something — to be near to their ‘giants,’ as EB White wrote in his 1949 essay, ‘Here Is New York’: ‘This excitation (nearness of giants) is a continuing thing. The city is always full of young worshipful beginners — young actors, young aspiring poets, ballerinas, painters, reporters, singers — each depending on his own brand of tonic to stay alive, each with his own stable of giants.’” (more…)

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Rubina Design will partner with this shoemaker for their fall line of purses. Photo by Violette Loosen.

Over the last year, I’ve tracked the nascency of Rubina Design, a social enterprise that aims to address rural poverty and women’s empowerment through ethical, informed consumerism.

When I first met Rubina’s founder, New York City-based Kari Litzmann, she was envisioning the enterprise as a design company that worked with rural artisans in India to expand their sources of income by bringing their products to new markets.

As Litzmann began working with an Indian firm on product development, she worried that the social mission of her company was becoming secondary to aesthetic or commercial factors. Litzmann had been working from New York and the gap in communication, culture, and distance was aggravating.

So she took the leap and made a five-month trip to India, hoping to find a way forward for Rubina that maintained its original emphasis on social impact. It turned out to be the right thing to do; Rubina has made enormous strides toward becoming a business that brings consumers hand-made goods alongside a deeper approach to fair trade. The company currently has some items in the Pratt Incubator store in Brooklyn’s Dekalb Market, and is launching its web platform and a line of hand-painted clutches in the fall.

Below, Litzmann shares details of her recent journey and how it is helping get Rubina going.

RS: What was the context for your trip to India? Litzmann: I went to India for the first half of 2012 to start building relationships with a wide range of traditional women artisans and designers working with them. These partnerships will result in exclusive products designed FOR Rubina BY external designer brands that work with women artisans, as well as suppliers for the Rubina proprietary collections coming out in phase two. There is so much interesting stuff happening in the design + artisan world that we wanted to partner with and promote the work of others that share the same goal of giving women artisans more steady work and preserving their traditional craft.

How did being “on the ground” help you reframe Rubina’s social mission, its structure, its potential value as a company?
First of all, I think anyone doing work in the developing world needs to be “on the ground” for a significant amount of time, if only to connect and establish trust with the artisans. But being on the ground has many other benefits, especially in the design  (more…)

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